I hate/love to sound like a two year old, but I was inspired to buy a colouring book after seeing my friend’s. She has a Harry Potter-themed one and had done a beautiful job of meticulously colouring in the scene of Harry and Ron flying Arthur Weasley’s Ford Anglia. Her shading was gorgeous. Where I would have coloured Harry and Ron in pink, she had expertly blended a combination of peach, yellow and cream to re-create the colour of white skin. I realised that good colouring requires a lot more skill than just picking a crayon and keeping between the lines. I had some arty things to learn.
When the Vogue colouring book was published I was all over it like it was a Selfridges sale (top tip you guys: Paige jeans. The best fitting jeans you will ever wear, will last forever if you wash them cold, ethically made in Los Angeles, £350 in real life but often reduced to £70 in the Selfridges sale. You can thank me later). As much as I would like to make clothing, I have never learnt how and it is unlikely to happen anytime soon. I tried my hand at designing clothing when I was in secondary school, have binged on multiple episodes of Project Runway and have taken a particular interest in fashion writing for many, many years, so the opportunity to colour in some glorious illustrations from the 1950s seemed like too much fun to miss. I nabbed a copy after visiting the Vogue 100 exhibition at the National Portrait Gallery in 2016.
Ever since then, all of my fashion designing delusions of grandeur have been released in a healthy safe, way. I rarely follow the original description copy in the book, choosing to blaze my own (ridiculous) trail. With my box of crayons, I have tested my sartorial eye by colour clashing, at times imagining myself as Alessandro Michele, Raf Simons and Phoebe Philo, and even put Hubert de Givenchy to shame with a great replication of an LBD. Aside from colouring one woman’s arm in purple by accident, there have been no huge disasters.
It might all be a bit silly but I can safely say that I’ve had a whole lot of fun, expressed myself in a creative capacity when I’ve been bored and tempted to scroll through Instagram, and I’ve given myself a bit of styling education and practice. Here are some of my favourite exhibits and design notes:
Kate Moss once said in conversation with Nick Knight that she would be loath to wear a beige suit, so I decided to try and make a beige suit look nice. I think it’s OK.
This woman encapsulates all my turquoise-mermaid-dress-and-turban-combo ambitions. I love this look.
This woman is spits of Meryl Streep. It’s ridiculous.
Beachwear that dreams are made of but I wish I’d done the glasses in tortoiseshell #hindsight #designerproblems
Sharing is caring and I let a little family member colour this woman in. I have to say, I’m liking the psychedelic vibes.
Similarly with these women. My sister did some really quite expert shading for the woman on the left, whilst I went for statement (millenial?) pink on the right. I also did the dog.
This dress was inspired by Jennifer Lawrence’s dress at the SAG Awards in 2014. I don’t know why I remember that dress so clearly, but I do. Textbook Raf Simons.
So many life goals right here: cute dog in hand, a glass of Absinthe, killer hat, sassy gloves and black lipstick done well.
This woman reminds me of the fabulous Jacquie ‘Tajah’ Murdock, who was cast in a Lanvin advertising campaign in 2012 at the age of 82. When I am an older woman, I hope to pull off a red jumpsuit with this much grace.
I feel like I created a Hitchcock heroine here and I am thrilled. I didn’t realise that skirt suits come great in a cool grey, a green veil is all I’ve ever dreamed of and that all seagulls should be pink.
Pink hair don’t care (I would LOVE to give this a go one day.). And yes. The Balmain sweepy on the right makes me weepy. I need a moment like this in a dress like that in the future sometime (please sartorial gods).